Friday, January 31, 2014

Denim 'N' Lace

DENIM ‘N’ LACE

It is a downright adorable story, and Wreckless Eric beams when telling it.  It goes like this:  he returns to Hull after years of the rock’n’roll lifestyle, goes back to the bar where he first played his wonderful one hit, “Whole Wide World”, and finds there, playing his song, Amy Rigby.
Amy looks bashful as he tells the story, looking still a little blushy about being talked about, laughing sincerely though she obviously already knows every part that’s coming, yet still tickled by the small details and variations Eric throws in.  Like how he told her she was playing the wrong chords and she tried to explain unsuccessfully that she was playing it in a different key, or the way he describes the hulking bo-hunk boyfriend he imagined Amy, on tour in England from Nashville, having, or how he tried to get her out of his mind for years after, but never could.  So they got married.  And here they are.
Then Eric starts into the song, his voice still aching teenage feelings at 56, and as the chorus comes on Amy joins in, adding her acoustic to his hollow body, belting out the words, no longer bashful, and it is fantastic, a sound that hits you in the chest.  It sounds just how the song should, or even better.  They are clearly in tune with each other.
The moment is lovely through and through, spoiled only by the fact that I’ve already heard the story, having seen the same routine in a video I watched in anticipation of their performance in Bloomsburg.  It is likely he tells this story every time he plays a show, because every time he plays a show he is expected to sing “Whole Wide World”, his self-fulfilling prophecy, and besides, it makes for a great act.  And what’s more, no matter how many times the story is repeated, the sentiment still rings true.  They glance at each other as they go through the routine, and in those looks there is still some of the magic of the real moment, of the actual behind the act. 
I watched at least a dozen videos of Wreckless Eric and Amy Rigby in the two months leading up to their Bloomsburg show.  I only vaguely knew who Wreckless Eric was when my brother Nick first told me he was going to book him for a show, and I knew nothing of Amy.  It was Nick’s first foray into organizing a show that was not just us and friends entertaining ourselves.  He found out that Eric and Amy were going to be doing a brief East Coast tour in November, and contacted them through Facebook to arrange a local stop at the Moose Exchange, a former Moose lodge, now turned into a community art space, as well as the home of Nick’s store, Endless Records.  I’m not sure how Nick first learned of Wreckless Eric, but he was a big fan.  I knew “Whole Wide World” from the movie Stranger Than Fiction, in which Will Ferrell sings the song to woo a darling baker played by Maggie Gyllenhaal.  I knew the part well because I used the movie one year to teach metafiction to high school kids who didn’t read, the year I taught the same thing seven times in a row each day, repeating every joke and gimmick that may have worked the class before, honing my act.  By the seventh viewing the scene and the song had rooted deep in my brain.  I even made my last class sit through the credits so I could see whose song it was.  So when Nick told me about the show, I understood why he was excited.  What Nick didn’t get, though, is that few others would.  Nick just assumed that, because of the song’s vaguely mainstream exposure in a far from popular Will Farrell movie, coupled with the song’s initial underground success, everyone in and around Bloomsburg would know who Wreckless Eric was, and would flock to see him if given a chance. 
Nick even sold tickets in advance, a formality unfamiliar to the local music scene, which typically consists of a few hippie jam bands, bar folk cover duos, and some high school punk and metal.  By the time the show was rolling around, only twenty tickets had been sold, most to family.  I bought one, even though I was part of the opening act, along with Nick and Quinn Collins.  Nick probably bought a ticket himself just to boost sales numbers.   He even made his own Wreckless Eric compilation, a career retrospective, from his first Stiff Records releases through projects like Captains of Industry, The Len Bright Combo, Le Beat Group Electrique, and his most recent work alongside Amy Rigby, but still no one was buying.  Nick had a guy come in the store and drop 30 bucks on the Wreckless Eric Big Smash! record, but when Nick told him that Wreckless Eric would be playing right there live the following week, the guy just gave a disinterested shrug.
I guess fickleness is just a part of entertaining for a living.  It is something Wreckless Eric is familiar with, having eked out a rock life that began at its peak, with decades of diminishing returns to follow, of playing where he could to whom he could, playing the one big hit more times than he had ever dreamed.  It is a tough thing, trying to age gracefully in rock’n’roll, something Eric takes the piss out of on his song “Denim ‘n’ Lace”, one he released in 1997 under his real name, Eric Gouldon.  It is a drum loop driven spoken word story song, uncomfortably alternative, but there is something unique and bizarrely brilliant about it.  It begins:
The only trouble was I didn’t know anyone in Chatham who had even the faintest idea how to be a bizarre little group- everybody I knew round there was stupid, especially the musicians- they all seemed to play in old pop groups like Vanity Fayre and Edison Lighthouse, reformed using none of the original members.

From there he launches into the story of Denim ‘n’ Lace, a “sort of grotesque lounge-bar-of-the-pub cabaret duo”, who after years of slumming it in the entertainment business, come upon the perfect solution. 
“…their hard times were about to end – they were going to buy a name.  They’d been offered a chart-topping pop group name – for fifteen hundred pounds they were going to become Picketty Witch and earn a living playing “I Still Get That Same Old Feeling” every night for the rest of their lives”.

There is an unmistakable disdain in the way he delivers that last part, one which I can’t help but imagine comes from somewhere personal, likely from playing “Whole Wide World” night after night for the rest of his life.  What’s worse, the hard times never do end for Denim ‘n’ Lace cum Picketty Witch.  One of the members gets busted for trafficking grass while on a lounge tour in the Middle East and is sentenced to death, and it is revealed that the point has been to say it is tough to find musicians in Chatham to start a band with.  As for Wreckless Eric Gouldon, he seems to be finding a much better end for his story, or at least the perfect person for his cool little combo.
Amy Rigby is as formidable a talent as her husband.  She was named Songwriter of the Year by Spin in 1996 for her album Diary of a Mod Housewife, recorded following divorce from dB’s drummer Will Rigby.  Robert Christgau declared it 1996’s “Concept Album of the Year”.  She followed it with five more solo albums over the next decade.  While performing, Eric makes a joke about her resemblance to Chrissie Hynde, but the comparison sort of fits, as does the one Nick makes when advertising the show, calling her a girl version of Loudon Wainwright.  And though Nick in his nervousness forgets to mention her when introducing Wreckless Eric and thanking him for coming, Amy is as much a headliner as her husband, as they take turns playing each other’s songs, and the songs and covers they have been working on together. 
They are touring in support of their album Two-way Family Favourites, their second album together and first made entirely of covers.  Their debut included a Johnny Cash cover, and an achingly great song called “Another Drive-In Saturday” which cleverly lifts lyrics from popular favorites in the same sort of way Built to Spill did on “You Were Right”.  Their newest album features covers as far reaching as Jackie DeShannon, Brian Wilson, ABBA, and 90’s Tom Petty, all of which they reinvent with subtle skill.  They’ve also put out a 7” of new material, Teflon Wok / Bobblehead Doll, which is fuzzy, noisy power pop that feels fresh, lively, and among the finest work either of them has done.  The best may be yet to come. 
Eric and Amy arrive at the Moose Exchange in a rental car, some kind of sedan.  They rent the same kind of car every time they go on tour, because they have figured out how to perfectly fit all their equipment in it.  Eric pops the trunk so we can help them carry everything inside, and there it is, looking like a Tetris player’s Master’s class—two guitars, bass, keyboard, amps, laptop, and some other miscellaneous gear.  Bloomsburg is the fourth stop on their month-long US tour, a why not between nights at the Bowery in NYC and the 400 Bar in Minneapolis.  Despite both nursing the remnants of a cold, they were able to fit in another show the night before, playing someone’s house somewhere near State College.  When they arrived at the Moose, Nick, Quinn, and I had been rehearsing our opening act, which was to be acoustic and toned down since Eric and Amy were playing without a full band and didn’t want to be out rocked.  Once we got them and their things inside, Eric was immediately worried about the size of the room, which is gargantuan compared to the size of most city clubs, but in a small town like Bloomsburg there is more space than there are things to do with it.  He asks about a smaller room to play in, and Nick shows him a small room that was until recently the office of an architectural firm, and the bowling alley basement as well.  It is decided that they will play in the Grille Room, as it is called, after all, but they are going to play in front of the stage instead of on it. 
We spread a rug out and start moving everything down to the floor.  Eric and Amy set up their equipment around the edges of the rug, which leaves Nick and Quinn a cozy 5 foot diameter to fit themselves in when we play, while I set my drums up off to the side of the rug, a part of the crowd Nick is still afraid will not show up.  Eric and Amy still need to sound check, which I am no help for, so I leave to grab a drink and something to eat.  I make it back to the Moose with only ten minutes before the show is to begin, and they are still sound checking, which in this case is okay, since no one is there yet, aside from my mom and a few others.  It is not looking good.  The PA system is too weak for the speakers, and for the room, and there is a buzzing noise they are trying to get rid of, one which will come in and out throughout the show.  As a sort of apology for the demands he’s making of the sound guy, Eric makes a joke about how, if it were 1964 and they were the Small Faces, they’d be playing through those, gesturing to the dingy old auditorium speakers built into the wall behind the stage. 
Soon the sound is deemed good enough, and more people start to show up, enough to fill most of the tables and chairs that have been set up in the room, but far fewer than Nick needs to break even with the night’s expenses.  But the show is worth every lost penny, especially since I wasn’t the one losing it.  They start things off with “Put a Little Love in Your Heart”, which they sing together with unabashed, convincing feeling, setting the mood for what would turn out to be a warm little love fest of a night.  They make an adorable couple, playing together, messing up and laughing it off, trading off songs and stories and adoring little quips.  They mostly play songs from their two albums together, though a few songs reach farther back, such as the Amy fav “Dancing With Joey Ramone” and “Just For You”, which Eric dusts off at Nick’s request.  And as much as every story they share may be practiced, part of the act, the night feels sincere and special, a moment loaded with magic of a feeling shared by former strangers.
They both seem incredibly happy, despite being a little under the weather, and they should be, having found a way to keep love and art alive in the face of the doldrums of time passing.  Eric keeps mentioning, enthusiastically, how young the crowd is, making old man jokes and talking about all the pee breaks his usual geezer crowd needs.  They even joke about wanting to move to Bloomsburg from France where they live now, everyone in the crowd ready to welcome them with open arms.  Seeing it all, being part of it, I feel a relief, a lightening, having gone through a wretched year of losing, of people hurt, and sense of place and purpose and direction all upended.  The songs, the charm, the love is not just for me, but it is there for me to share in, and it is just what I need.







Wednesday, October 17, 2012

The Coal Bucket Classic


The Coal Bucket Classic



Shamokin has some bad luck.
Mt Carmel has the bucket for along time.
It hard to stop winners.

-Julius Christophus Demetrius, 
 Mount Carmel student

The Mount Carmel Red Tornadoes first played the Shamokin Indians in football on October 28th of 1893.  They kept it up yearly until 1928, carrying on again six years later.  In 1951 it was christened the Coal Bucket Game, putting at stake a black metal bucket, made for coal but filled with flowers instead.  The Coal Bucket Classic is on the shortlist of longest standing high school football rivalries in history.  The game used to be every Thanksgiving, and has since become subject to each team’s schedule, a local holiday regardless.  This year will be the 111th year the two teams play.
During the week leading up to the game, the neighboring towns trade acts of friendly vandalism.  Signs are made and torn down.  The stores run short on eggs.  Without fail, someone goes too far.  A car is keyed, or some kid beat up too much.  One year, the effigy of a mascot was lit aflame on school property.  Another, a rock monument was permanently defaced.  Kulpmont is the line of demarcation.  The town used to have its own school, and proud sons still wear Kulpmont Cougars jerseys to Coal Bucket games, but now they are the A in MCA, part of the Mount Carmel Area along with the kids from Locust Gap, Marion Heights, Atlas, Aristes, Natalie, and Wilburton.
Jasmine is a Kulpmont girl.  This morning she had to drive to school from Kulpmont to get on a bus to ride back to Kulpmont for a pep rally at a nursing home there.  Old folks dressed in red cooed with adoration, while those in purple cursed insults.  One wrinkled old thing confined to a wheelchair spit in Jasmine’s face.  Someone’s nana, such venom—the lady pointed to her purple afghan right after, so Jasmine knows it wasn’t just old age and medication like the lady in the scrubs said it was. 
Some of the spit had landed in her nostril, and the thought of the smell is making Jasmine want to gag as she listens to Mrs. Fritz’s list of things to do before the pep rally this afternoon, the rest of her Spanish class entertaining themselves with rising success.  Every few minutes Mrs. Fritz opens the door and yells them quiet.  Everyone knows that cheerleading is more important than Spanish right now.  As cheer coach, Mrs. Fritz is stage manager to the whole thing.  She’s the one to arrange the nursing home rallies and get all the senior girls, team captains, and a skeleton band to show up to school before the sun’s up to make it actually happen.  Then there’s the big pep rally this afternoon, which is televised to the town and so has to be good, then the parade right after, and making sure all the girls eat something so they’re not passing out on a jump in the middle of the game.  
Mrs. Fritz remembers the tickets she said she’d get for her sister’s brother-in-law, so she opens the door of the classroom and calls out Tyler, who comes lumbering, claiming he didn’t do nothing.  She gives him twenty bucks and says office, four tickets, go, and he is gone for the rest of the period, making sure to save the task until the end, so he has something to tell any wandering teacher that gives him a hassle.  Nothing’s happening in the halls, so he stops by first lunch to show off, but is chased away by the bitchy hall monitor with the tramp tattoos.  He heads over to the auditorium, by day the ISS room, the pen for in-school suspension.
The only kid there is Lacy, who asked to be sent to ISS so she could read, her class doing nothing and too loud about it, the teacher agreeing.  Instead of reading though, she is copying parts of an essay she wrote for English class into her journal.  They were asked to write about the Coal Bucket Classic and what it means to the town or to them—a way to keep them busy while the teacher graded tests, she knew that, and knew he wouldn’t read them so wrote whatever, but there were a few parts she liked, and she likes to copy words, so she writes down:
They say that years ago a bucket of coal was the main source of energy for this area and I think little has changed.  There is so much energy involved, whether good or bad. There is something about the feeling. All of your senses are involved. It’s the crisp evening air of early fall, the ephemeral glowing stadium lights, the smell of French fries and onions seeping up from under the stands, the sounds of the school bands and yelling fans battling just as much as the players on the field.

There is so much energy.
In one small town, in one small stadium, in Bumble-fuck, Pennsylvania.

. . .

It’s a dress down day, like every football Friday, since the cheerleaders’ uniforms would break six dress code rules otherwise.  All day the kids fidget like they are waiting for a snow dismissal.  Teaching is hopeless.  The only goal is containment until lunch, then corral the kids in the gym for the pep rally, the biggest of the year.  It is a noticeably enhanced production.  The school even hired the local morning radio guy to emcee the event and toss WVRZ T-shirts into the bleachers.  The fervor rises as the coming weekend takes hold of the students.  Some teachers assume stern poses, wearing invisible riot gear, while others make lazy waves with their hands that say hey, be a pal and just calm down.  Someone throws a wad of paper, then ten people do, then somebody throws a shoe.  Boys stretch across the rows to swat punches at friends.  Insults are shouted, and will be repeated for weeks after, the school itself a running joke.  A gang of beefy seniors in the back bleachers shouts down the cheerleaders, calling out “YOU SUCK” in loud, forced-low voices.  A smug teacher fingerwags and says “now, gentlemen…”.   The girls continue to smile through their routine dance to a minute-long megamix, moving in ways that make the 7th graders in the front bleachers blush. 
Out on the wood court floor, Janie is oblivious to the heckles and the blushes, having a hard enough time just dancing.  She is exhausted already, and still has the parade and the game to go, but is still charged and buzzing from the excitement the night before.  She and two other sophomores, none with driver’s licenses, drove into enemy territory to steal signs, wearing Halloween masks.  George Bush, Richard Nixon, and Hillary Clinton riding together in a Civic, Nixon’s face folded up at the nose to smoke a cigarette.  The first two signs were cake, so they were feeling lit up and lively as they pulled up, headlights off, to a door decorated with “Scalp the Tornadoes” markered on posterboard in jagged block letters.  “Go Tank #46” was written below it, and a couple of balloons were taped to the corner, nearly falling off because Shamokin cheerleaders suck at making posters, unlike the Tornado girls.  They got out of the car in whispers and made a nimble sprint for the sign, stealthy except for the giggles.  The door opened while Janie pulled at the sign, so it came loose quicker than she expected.   Stepping back, she saw Tank, the 300 lb wall of meat senior lineman, standing in the doorway.  He had to angle himself sideways to fit through the door, so they got a few steps on him and were in the car with doors locked by the time he got to them.  He punched the car’s hood just as the engine came to life, seeming like he just did them a favor.  Janie ground the rear tire into the curb reversing to angle an escape, and somehow Tank managed to lift one stubby trunk of a leg high enough in the air to give the side mirror a good kick, busting it loose as they took off down the street.
Tank and another guy chased them in his Bronco.  The girls hid in the Burger King parking lot, with the employee cars back by the grease dumpster.  They were safe a good twenty minutes, lifting up their masks to breathe and smoke.  Everything was calm when Tank’s meaty palm slapped the rear window, ringing the car like a bell.  Janie screamed and brought the car to life as Tank pounded on the roof of it with his ham fist.  She quick put it in drive, not thinking, and bounded the car over the cement curb with a big bang and metal scraping.  The chase went on, flying ninety down 61, then off a loose gravel side road towards Sagon, nearly killing themselves and the car.  Once the boys were out of sight, Janie parked the car in a dark spot and they sat there shaking, still wearing their masks, just trying to breathe.  
The routine wraps up with some hands-in-the-air flourishes, and Janie has flubbed nothing.  In fact she is graceful despite exhaustion, having only slept three hours before she had to show up early for the bus to the elderly rallies.  A few of the girls give waves and kicks, and the crowd claps accordingly.  A low boo from the back bleachers begins to overwhelm the applause.  The seniors chant “JV’s better” as the girls clear the floor, still smiling, unflustered by this, knowing it’s just another tradition.
Next the coach comes out and gives a good natured speech, thanking everyone for their support, reminding them to bring non-perishables for the food drive—the side that fills their truck first wins, but by giving we all win, don’t we?  The coal bucket is brought out, and being the new teacher from out of town, I realize it’s what I’ve been signing in next to for the last two months without knowing it.  It’s unimpressive, really.  It’s just a cast iron bucket filled with plastic flowers. 
. . .
The texting started the before the pep rally did, when Drew first heard Vo-Tech wouldn’t be allowed to attend, the school not wanting to run the busses back and waste the gas or worry about it on a day there was already too much to do.  Samantha’s mom was out of town and the greatest weekend ever was going to start as soon as they slipped out of the pep rally.  He was going to cook a chicken dish he practiced in class, then the game, and after that two full days of playing house.  The first few texts were a mix of emoticons and expletives, both inventive, angry about the change of plans.  Then Drew explained to Sam the plan for all the Vo-Tech kids to wear purple to the game tonight.  Then came the better plan—with Bobby, who had the plan and the car, Drew would ditch Vo-Tech now and go to the Shamokin rally instead, for spite.  Drew tells Sam he’ll meet her on Fifth Street before the game, where she’s going to egg the Shamokin band bus as it rolls into town.  The chicken can wait; they’ll just eat fries at the game, soaked in salt and vinegar.
Drew and Bobby make it to Shamokin High School with twenty minutes left of the rally, sneak in easy, and Bobby manages to get a Shamokin cheerleader to paint his face purple before they leave.  Next step is to steal Mount Carmel signs while everyone is at the parade.  Drew makes Bobby and his purple face wait in the car, and manages to get five signs with no objections.
He leaves the signs in the car when Bobby drops him off on Fifth Street, and somebody in the crowd spots Bobby’s purple face, egging the windshield as he drives away.  Drew finds Sam standing by a guy lazily holding a sign that says “PUSSIES WEAR PURPLE”, and they wait together for the Shamokin bus to come.  When the bus is in view, a chant begins as eggs are readied.  “BLOOD! BLOOD! BLOOD!  RED! RED! RED!  WE WANT THE INDIANS DEAD! DEAD! DEAD!” 
Eggs and plastic bottles are hurled indiscriminately as the bus comes down the road.  Renee quickens her steps on the sidewalk.  She thought the bus would have already been through.  Sam hurls an egg that arcs just over the top of the bus then explodes into Renee’s shoulder, sending yolk all over her hair and green sweater, a color she chose for neutrality because last year she was given shit behind the Shamokin bleachers for wearing a red scarf, she just wearing it because she was cold, just waiting in line for some pierogies, just wanting to sit back down out of notice of such creatures.  She had hoped this year would not leave her feeling disgusting.  Sam sees Renee covered in egg once the bus passes, and gives a gasping laugh, grabbing Drew’s arm to show him.  Renee sees this and bursts into tears, hurrying away before they can say anything.
Sam and Drew are early to the field for the game, but go in anyway and lay the blanket Sam brought on the bleacher in the back right of the student section behind the goal post.  From there they can see the tailgaters start to gather at the spot up on the hill overlooking the field where fans can see the game while getting a head start on drinking.  Drew’s surprised the whole town doesn’t go up there for the game, doesn’t know why he doesn’t.
The cheerleaders are hanging all of the stolen Shamokin signs along the fence they are facing, which separates the bleachers from the track.  They are like trophies or shrunken heads, hanging on either side of a long banner that reads GO BIG RED! with red twisters at each end.  Janie puts the Coal Bucket down behind her on the grass at the edge of the track.  The town files in as the band plays, and before it’s kickoff, five Shamokin JV cheer girls in street clothes have torn off with the four foot banner, shafting and shouting suck it to the MCA girls who, holding pompoms, can’t effectively shaft back.  An old couple making their way to their seats are nearly knocked over by five teen girls running, only to have an MCA cheerleader yell “Suck it, fucker” in their direction as she fearsomely shakes her pompom, making them feel even older more scared than they are.
. . .
With the bleachers near full, ten thousand people make thunder together, but the noise dies down noticeably as Jill is handed the microphone to sing the “Star Spangled Banner” from midfield.  Her voice has an infinitely practiced high and innocent sound, the same bird tone she had as a child, when she sang in school talent shows and family get-togethers, working through the rough spots at recess before debuting them for her parents after supper.  Her voice seeps through the microphone and is echoed by the tinny reverberations of the stadium’s PA, followed by the rumblings of the crowd’s mix of singalong and inattentive talking.  Jill’s skin is tingling.  Singing is what she loves most, and here she is, doing it, in the middle of everything she loves—the people, the game, the cheers and shouts and the gush of it all. 
 “It may sound stupid but it’s great that people can love something so much that doesn’t return any affection.” 
When Jill said this, she was referring to the game and how much people love it, but she’s also talking about herself, about singing, about this moment here on the field.  She went to the game every year growing up, whether home or away, and liked to imagine herself right where she is now, doing what she is now doing, singing Star Spangled for everyone.  She says “love”, and means it despite how weak a word it really is, just an empty space big enough to fit all the real feelings it ruins to explain.  The people love the game, the love a hope and a longing, the comfort of the same old thing, and the jolt of another try.  They have made for themselves a momentous occasion.  Momentous because they want it to be, or need it to, and so have made it so.  Every band parent putting hot dogs on a roller, every cheerleader adding careful glitter to a poster she knows will be stolen and destroyed, every egg-heaver letting fly as the enemy’s bus rolls into town, all charged up like a battery, and here it finally is. 
And somehow it is already disappointing.  The moment’s here, but no one wants to let go of the anticipation and face that heartsunk feeling after, like an unwrapped present.  It was going to be anything, but now it is just this.  There are only minutes left before the ball is kicked into play, when it will be caught by Bryan, Mount Carmel’s second string quarterback, who will run the entire length of the field as fast as he can, breaking a school record, and Mount Carmel will continue to score until it is 44-6 at halftime.  The Indians will never have a chance.  They will lose as they have for fifteen years straight, and the pomp and preparation will remain unfazed by the losing streak, or the winning one.  The song finished, Jill will think of the times she sang it better in practice, the crowd will go back to shouting, and though everyone will tell her after what they always tell her, “You were really good”, no one but her will know how much of her heart she put into it, and how could they, hearing only the tinny echoes of what she was feeling.  The moment is here, then gone, but that waiting feeling hangs on.  For what?  Always next year. 
But no one’s really that disappointed.  Jill is energized, the noise and applause is affection, however fleeting.  The crowd is having a good one, indulging the holiday rituals.  Rob is having the time of his life working one of the cameras from the sidelines, part of the student crew that films each game, broadcast live on a local public access channel.  He pans in on Jill as she walks off the field, beaming, and he is beaming too.  They had the same History class last year, and Rob spent one amazing marking period lost staring at the soft hairs on the back of her neck whenever she wore her hair up, before all the seats were changed and he went back to doodling.  He keeps the camera on her well after she has walked off the field, then catches himself and zooms out.
Andy is relieved when the camera pans back for the game to start, tired of waiting.  He is home taking care of Gram.  She moved to Mount Carmel from Centralia once the state started the buyout, bought a house on Walnut.  She was cold shouldered by old neighbors for years after, called sellout for the move.  The house will be Andy’s once Gram dies.  He remembers seeing his Mom only once, at the Divine Redeemer block party when he was eleven.  She was passing through, spending the weekend with old friends.  Gram didn’t tell him who she was until nearly a year later.  Andy likes to watch football, but doesn’t like going to the games for the same reasons he doesn’t like going to school.  He is waiting to join the Air Force, and will be one of those guys in the stands who remind the middle school kids sitting nearby to take off their hats for the national anthem, and afterwards will shake their hands to thank them.  For now he pulls his recliner closer to the TV, Gram already asleep in hers.  On the screen its places everyone, then one swift kick and it’s up in the air. 
The game has begun.
. . .
Bryan is fucking pissed.  Dropped to second string his senior year, for his last Coal Bucket, he just wants the game over so he can get hammered.  It is starting to drizzle.  He needs to do that stupid application so his mom won’t hassle him when he’s hung over tomorrow.  He should have just brought it with him, since he’s only going to be running tailback every fifth play, or jerking off at safety, waiting for a punt, since even Shamokin knows Shamokin has no passing game, and won’t be trying anything long.  And then he’s got figure out how to pass his English class, get his teacher to write a recommendation that says something other than “Get out”. 
He sees the players on the sideline hold their helmets up and snaps to as the kick is coming.  It’s a nice kick, admirably lofty, and he has to peddle back to the end zone to catch it.  He looks forward with the first step and it looks too easy, gaps are everywhere, and he’s right—he’s to midfield by the time he reaches full speed.  Just like that—touchdown, six points on the board, and a school record.  He shoves the ball to the ground kicking and punching the air around him, his whole body clenched like a headache.
Almost immediately after Bryan reaches the end zone, DJ also runs the length of the field, with only shorts on, painted half red half white head to toe, hair in a mohawk, carrying a Tornadoes flag along the track and nearly into the cheerleaders.  He is soon exhausted, having to do this twice more in the first four minutes of the game.  The Mount Carmel offensive attack is punishing with such good field position from the Shamokin’s punter’s punts not lifting for squat.  Their QB’s passes are wild, all over the field.  All they have is a brute running game, a shove match of inches.  The piles are big and the play is dirty—loogies are hocked and spit through helmet metal.  The announcer can only make out numbers enough to credit tackles to “a host of Tornadoes” or “a score of Indians”.  An MCA fullback with charcoal paint over half his face is taken off the field when he punches a Shamokin kid in the helmet in a scuffle after a tackle.
A group of five Mount Carmel 8th graders bring the stolen four foot banner back, all mangled, and help the cheerleaders hang it back up, blushing with pride.  Two of them will stay back this year in school, repeat the same classes next year, however they do, so they have a better chance of making the team and seeing play, getting a scholarship maybe.  It is something at least ten kids do a year, at their parents’ request.
Paul did 8th grade twice, got to see which teachers recycled their jokes, and now he is Mount Carmel’s best receiver, sure hands and quick.  His parents are a little worried about his wanting to go to school for filmmaking, but he got early acceptance to RIT—and directing sounds a lot better than years of bio labs to be the doctor his parents really want him to be.  He runs a cross pattern and draws the pass in tight to his chest.  As he is pancaked between linebacker and cornerback, crunched to the ground as other players pile on, he is struck with an idea for a movie.  He could film it in Mount Carmel; it would be about Mount Carmel really, about a town where everything is falling apart and there no jobs and nothing to do.  Everyone is struggling but they all stay afloat by once a year betting everything on the big game, nothing but faith and family pride keeping them all together. 
He tells Bryan his idea standing on the sidelines later, and Bryan offers the title “A Shit-Ton of Hope”, because the idea is a ton of shit.  Citing his gambling experience, mostly Texas Hold’em and bets on college games, Bryan explains to Paul it wouldn’t work, that if the team won every year, the bet would be worth nothing.  Both will graduate this year, going twelve years, or thirteen, without seeing the team lose the bucket.
. . .
The rain begins to fall again and the bleachers start to clear.  Damp blankets are gathered from the metal benches.  Stalwart fans grumble at the blocked view caused by the exodus.  Parents look for the children they have not seen since the first quarter, and one by one the adultless villages formed in the shadows beneath the bleachers crumble.  The scoreboard remains unchanged—not only the score but everything else too—technical problems plaguing the night.  The clock has failed, and the game has come to a halt as seconds are brought back from wherever it is they go.  The scrolling marquee no longer scrolls, and has read “ED!  GO BIG R” for the last six minutes, though it has only been two minutes according to scoreboard time, the rest lost to penalty, injury, or failure.  At one point, a player from each team is splayed out reciprocally, each holding leg to chest in agony, a lovely scene if not for the pain involved.  The waterboys are breaking a sweat, running on and off the field with each delay, while the players stretch and wander, trying to shake the clench of muscles that insists they keep moving.
The game resumes, Shamokin still keeping to the ground despite the hopeless effort of each gained yard.  More punts are exchanged.  It is doubtless hearts and minds are already finding their way out the gate, but both sides go through the motions with some muddled sense of joy and meaning, even if all that’s driving it is motion itself.  Forward progress, back and forth and back and forth, being what it is regardless of what thoughts delude the moment, everyone’s minds off to after parties, bonfires or the dance in the school cafeteria, to the bars and fire halls to toast the night, or home to rest for Sunday services.  Here’s to second chances, and hope unredeemed.  A tradition, however the night ends, whatever rituals are chosen for the sake and the comfort of knowing what to do.  The rain stops for the faithful fans remaining, the cheerleaders are still making a show of it, and the band is playing louder and looser since their third quarter break.  A tackle is broken and hope swells.  The ball is fumbled, and the crowd feels the chance in everything.
And suddenly I can no longer play reporter from my spot in the bleachers.  I can only think of the guy sitting near me with his 5-year-old son beside him, and his 9-year-old daughter, Sydney, on the bench just behind.  They came in after the half, when the gates were opened, and since have repeated a scene which goes like this:  the girl, fidgety and curious, wanting her father’s attention, leans in and asks him a question.  What are those orange things for?  Did you hear that cheer?  Did you know I know that one too?  What’s happening?  Did someone score?  Why did they stop?  And each time she asks a question his jaw goes tight with anger and he tells her Sydney, stop talking.  How am I supposed to watch the game with you asking me questions?  Just shut up and watch.  Or he ignores her, which silences her until she hears him explain to his son some part of the game, and, encouraged, tries again with another question.  He tells her to shut her mouth, tells her that she should be watching the cheerleaders, seeing how straight they hold their arms and legs, instead of yap yapping in his ear.  He puppets a talking motion with his hand, and I want punch him in the goatee until blood blanks out the numbers on his red jersey.  Meanwhile a group of children scramble around the bleachers behind me in restless boredom, bumping into me repeatedly, and I feel my own jaw clenching.  I need to get up and go.  The spell has broken, the scene no longer lovely with meaning, only loud and rough and ugly. 
I make my escape, but walking along the front of the bleachers I am flagged down by former student I was hoping to see.  We exchange an awkward sideways safety hug.  She tells me about school, about how her hope to be a music therapist crashed:  college costs, too little time and too much planning, but also seeing she loves music too much to make it her living, wanting to protect that flare of possibility she feels when she plays from the let down of seeing what it is next to what it takes.  It means too much to her.  She needs it too much.  Every delusion is precious.  She’s thinking of becoming a teacher instead. 
Tomorrow, Sydney, the girl whose father I dream-punched until his face was slack, will come back to the field with the rest of the girls in her squad, with cheer gear on for practice, and 9-year-old football players too, dressed in their midget league pads and helmets, to clean up all of the trash from under the benches and behind the bleachers—another yearly tradition.  They start picking things up, filling big leaf bags with yesterday’s garbage.  They do it quickly, thinking if they get it done fast enough, they’ll have time for something fun, some lifts or a scrimmage, but there is always another empty cup, or a fry plate soggy with vinegar and dew.  As time passes, Sydney settles in to all the cleaning up to do.  She slows down, almost enough to enjoy it.